The first Wurlitzer was manufactured in 1954, and production continued until 1983. The instrument was invented by Benjamin Miessner, who had worked on various types of electric pianos since the early 1930s. It is conceptually similar to the Rhodes piano, though the sound is different. Sound is generated by striking a metal reed with a hammer, which induces an electric current in a pickup. The Wurlitzer electronic piano is an electric piano manufactured and marketed by Wurlitzer from the mid-1950s to mid-1980s. It does not store any personal data.A Wurlitzer 200A, the most commercially successful model The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly.
#Wurlitzer spinet piano price software
You can still find vintage Wurlitzer pianos or you can opt for one of the many very credible software libraries and play the ‘virtual’ Wurlitzer instead. Today Wurlitzer is part of the Gibson Guitar Cooperation and sadly the pianos of any variety are no longer made.
#Wurlitzer spinet piano price series
The 200 series eventually superseded previous models and this incorporated two loudspeakers. In the 1960s, Wurlitzer moved onto the 140-model using solid-state technology, and the 145 used a tube amplifier. This tonal quality proved immensely popular amongst the bands of the 1960s and 70s. When played softly they have a bell-like quality, but when pushed to produce a more extreme dynamic, they are sound almost ‘overdrive’ and slightly distorted. Another distinguishing difference is the sensitivity to the dynamic performance that the Wurlitzer EPs possess. The resulting tone or timbre is quite distinct from a Fender Rhodes that uses ‘tines’ (that more closely resemble tuning forks), is harder, even described as having a ‘bark’. These reeds vibrate when struck by the felt hammers and the vibration is then ‘picked-up’ in a similar way to that of an electric guitar. The EP-110 uses metal ‘reeds’ (a flat strip of metal similar to a wooden reed on a saxophone or clarinet), of differing lengths according to the desired pitch to make its sound. Fender Rhodes made an equally fashionable electric piano that has also stayed highly popular today, but that whose sound is radically different from the Wurlitzer. What separates this piano from its rivals is the way it produces the sound. This was unceremoniously titled the EP-110. It was in 1954 that Wurlitzer produced their first EP.
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Keep in mind the Wurlitzer motto at the time was “Everything Musical”, so you can understand the entrepreneurial diversity with which the company approached the market of the time. This included the range of mechanical instruments that were built around the turn of the last century for approximately thirty years.
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Other pianos featured in the Wurlitzer catalog for which they became equally well-respected and renowned. Many of these instruments have stood the test of time and if you should find one in good condition, you will not be disappointed. This was amusingly called their ‘Wurl-On-Finish’ that made the pianos highly resistant to temperature changes and moisture or dryness in the air. Without embarking on in-depth scrutiny of the engineering of these characteristics, suffice it to say that they were devised to enhance the richness of tone as well as make the playing experience first class.Īn additional selling point to these now historic pianos, both upright and grand, was the durability of their finish. Two other notable features were part of the Wurlitzer models, the ‘pentagonal soundboard’ and ‘tone-crafted hammers’.
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The design of these instruments was particularly eye-catching and innovative. Wurlitzer produced acoustic pianos from quite early in the company’s history.